Being the Corporate Facebook Gatekeeper: 6 Questions to Always Ask

Posted by: on Aug 15, 2011 | One Comment

“We want our own Facebook page!”

This is a post for the beleaguered corporate marketer, who by virtue of talent, vision, policy, or just (possibly bad) luck, sits as the gatekeeper in the organization who gets to decide which brands, sub-brands, teams, or products get to have an official presence in social media.

First off, every organization should have this role, whether it’s vested in one person or, more typically, a virtual team or committee. The alternative is often chaos, where a brand’s social media presence ends up fragmented across tens or dozens of Facebook pages and Twitter accounts, many of them ignored or abandoned.

That’s not hyperbole – I’ve seen it in many clients, and it happens far more often than you might think and even among companies viewed as fairly mature and competent when it comes to social. Brands get that way either by lacking a gatekeeper role, or the when gatekeeper doesn’t ask the right questions of those who want their very own shiny Facebook page.

The following six questions are a starting point to help corporate marketers filter, and are based on a set of recommendations I’ve discussed with numerous clients. The “they” refers to the team asking for their own social channels, distinct from the existing official higher-level corporate accounts:

1. Is their brand sufficiently distinct from the overall corporate brand identity?

Mountain Dew is part of Pepsi, but the brand is completely distinct. Diet Pepsi is much more of an edge case. Is the brand in question just a subset of the primary corporate brand, or something – in the customer’s eyes – completely different?

2. Do they have a unique target audience that differs markedly from the parent brand?

If the target audience/demographic is largely the same as the parent brand, then the case for creating a new set of social accounts becomes less strong. There are likely other ways to get that brand involved in social – a Facebook tab, or some percentage mix of the recurring content updates on the primary accounts, for example.

3. Do they have a unique and compelling fan value proposition?

In short, can they answer in a single, clear sentence “Why should I follow XYZ service on Facebook? What’s in it for me?” If not, and the answer is either vague or simply “because people expect to see us on Facebook” then no, they shouldn’t get their own official social accounts.

4. Do they have staff or agency resources to build and maintain the channel over the long-term?

Someone has to build the tabs, the logos, the backgrounds; someone has to craft and post updates or tweets; most critically someone has to monitor and moderate (if applicable) the conversation taking place around each social channel, and actively engage with the community. Do they have the resources available and committed?

5. Do they have a content plan sufficient for at least 3-6 months?

The fastest way to end up with abandoned social accounts is to launch them without a clear, consistent plan for creating and posting content (posts, tweets, etc.). Ask anyone who’s managed a company Facebook page, blog, or Twitter account – coming up with good content, day after day, week after week, is damn hard. If they don’t have a plan, either they’re not taking the challenge seriously or they don’t know what they’re getting in to.

6. Do they have a plan and resources for promoting the accounts through other marketing channels?

Build it, and they will come is not an acceptable social media marketing strategy. The team asking you for their own unique Twitter account, YouTube channel, Facebook page etc. must have a solid marketing plan for how they will drive awareness of and traffic to those brand new channels. Otherwise in all likelihood they’ll end up twisting in the wind, and eventually abandoned as they team realizes they’re not seeing any value in them.

These are simply a starting point, an initial set of questions to ask internal teams both to identify those with a real and justifiable need (and the resources and commitment to back it up), and to get those who lack that thinking in the right direction.

What other questions should be asked?

Chiquita Pulls off a Crowdsourced Design-as-Marketing Campaign

Posted by: on Oct 5, 2010 | No Comments

Crowdsourcing is a hit-or-miss proposition, and when it comes to crowdsourcing logo or design work, it can often result in some nasty blowback. So it’s interesting to see a successful example of a major brand crowdsourcing the design of an iconic logo, as a de facto social media marketing campaign to generate buzz.

In this case it’s Chiquita, and the iconic logo is the little blue and yellow sticker that anyone who has ever had a banana probably recognizes. It seems Chiquita went out and crowdsourced the redesign of the sticker, got over 100,000 votes for the 50 finalists, and generated some nice buzz around a product that normally is hardly considered cutting edge.

Cliff Huang over on fastcodesign.com makes a great point about why this worked for Chiquita, relative to the challenges of crowdsourcing your primary logo or major campaign creative:

The stickers are a perfect outlet for the crowdsourcing. It’s not like crowdsourcing your logo or an entire ad campaign — which gets you mediocrity in exchange for a bit of passing buzz. Rather, the sticker itself is such an obvious passing fancy that even if it’s not great, it doesn’t matter. (And even if it’s not great, the real estate is so tiny that the most important thing — the brand’s colors — remain. To preserve the core mark, the contest made sure to mention that the Chiquita girl could not be shown in any of the entries.) So you get the buzz, but it doesn’t take over your branding because the icon itself remains intact.

I don’t necessarily agree with Cliff’s side point about how crowdsourcing larger project necessarily produces mediocrity, but that’s for a later post. For now, hats off to Chiquita for a smart big of marketing and a brand team willing to take some risks.

Found via @TDefren

Movements never end, and neither do communities

Posted by: on Jul 9, 2010 | No Comments

This video is a few months old, and the general argument one often made by both Spike Jones (@spikejones) and his former agency Brains on Fire, but I just came across it and it’s well worth the watch:

One of the best points made is this one (paraphrasing): A campaign is not a movement. A campaign has a start date and an end date – a movement never ends. However, I’d add one corollary: many campaigns these days seek to develop elements of a movement, by building or engaging with communities – and just like movements, communities don’t just end either. That’s a really critical point for marketers in all disciplines to grasp, as it carries profound implications for anyone involved in word of mouth, social media, or community marketing.

Most marketing campaigns these days – while unfortunately in no way planned out to spark “movements” – do include some kind of community-building efforts. These can be as shallow as attracting fans to a Facebook page or Twitter account, or as deep as actively engaging that passions of established and vocal groups, clubs, forums, and so on. If your campaign actually manages to resonate with people, communities of all size and stripes could start to form around it or the products, services, or brand it’s promoting.

These communities of fans, followers, advocates, and evangelists are paying attention and engaging with your efforts, responding to your prompts, sharing with their friends, and even co-opting the campaigns lingo, creative, and so on. The marketer’s dream situation, right?

Not if you then pull the rug out from under them three months later. As Spike notes, a marketing campaign has a defined lifespan – it launches, cycles through various stages, and then shuts down while the marketing team rolls onto the next big thing. But those communities that may have formed around your product or campaign live on, and if you simply walk away to go focus on the next big thing, you risk anger, disaffection, or outright backlash by the very people who just last week you counted as your most passionate fans.

Even if you’re not wholly adopting Spike’s message and investing the time and energy it takes to try and build a movement around your brand, every marketer needs to be aware that the social and community elements of their brand and campaigns will in many cases outlive the quarterly media spend. If your fans and advocates invest the time and emotion into what you put out there, simply shutting down and moving onto the next campaign could carry some seriously negative effects.

In short: If you’re marketing effort involves trying to reach out to or cultivate communities of fans, advocates (or even skeptics) – which it should in almost every case – you need to be prepared to do it well beyond the life of the campaign of the moment. Like it or not, you’re in it for the long haul.

Dusting off the old to delight your true fans

Posted by: on Dec 18, 2009 | No Comments

I’m a big fan of the classics – not necessarily classical literature or classical music, specifically, but anything that through quality, uniqueness, fan love, and time gains the aura of “a classic.” Be it a vintage hot rod, iconic brand, or a genre-defining product, I am just fascinated by most anything that retains a devoted fan following years, decades, or even centuries after what should have been its useful life.

Companies constantly dust off those classics they have rights to, and either repackage the originals or infuse new products with some defining “classic” elements, to appeal to new and old fans alike. We see it everyday with cars, especially those coming out of a Detroit constantly striving to recapture its old magic. We also see it in music, with covers of old classics by modern bands, or repackaged, remastered originals wrapped up as greatest hit albums.

What’s truly inspiring is when the original classic is redone with an all new light, in such a way that it perfectly delights both new and old fans. From the world of music – classic rock specifically – the acoustic or “unplugged” remakes of the old classics “Layla” (Eric Clapton) and “Hotel California” (Don Henley/The Eagles) embody this perfectly.

Just listen to those songs, and especially the live fan reactions when they were first performed, and try not to get the chills. In both cases, the original musicians tease with an intro that maybe hints at what the song will be, but never quite tips off the audience (except maybe that one guy in the back of the room who starts hooting in joy far to early). Then they play some defining cord that fully and dramatically gives away the song.

The audience reaction is electric, even if the instruments are not. In both songs, once the fans realize what they’re listening to, they scream in delight both at hearing an old favorite and at experiencing it in an entirely new way.

Both Layla and Hotel California are immensely popular classics. They have been packaged up, remastered, and resold countless ways over the years. Fans have bought up greatest hits albums and re-releases of the original tracks by the millions.

Even then, when you would expect fan fatigue to set it at least a bit, Clapton and the Eagles dusted the classics off and reinvented them completely, risking the ire of the purists yet delighting so many more while introducing the songs to entirely new generation of fans.

What’s the marketing lesson in this? If you happen to be lucky enough to be stewards of a classic, by all means keep exploring ways to continue to sell it to fans both old and new. Just don’t be afraid of reinventing it, even at the expense of purists, to give it a whole new life.